A Look Back With Dwight Edwards of The Film Cake: 2002

In the Guest Spot today, we have Dwight Edwards, the man behind the very cool Okie-film website The Filmcake. Dwight has attended deadCENTER every year since 2002, and even contributed to our live blog of the festival in 2009. Every Wednesday until the festival, we’ll feature his look back at the deadCENTER film festivals of old, starting with 2002.

This year I’ll attend my seventh deadCENTER Film Festival. Once again, I await that week in June with boundless anticipation. Familiar faces, great and not-so-great movies, flowing beer. What more does one need? The 10th Anniversary edition of the festival arrives in just eight weeks. In anticipation of that, I’m going to go back and rewatch some of the festival movies that I remember fondly, remember quite UN-fondly, or just flat out missed the first time around. I’ll start with the 2002 festival and work my way up weekly to this year’s festival. Here we go!

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The Guest Spot: Beau Leland talks The Facebook, The Twitter, The Filmmaking and The Internet

This is the first entry in a conversation we’re having with filmmakers on filmCENTRAL about the role of the internet in filmmaking. Today’s post is written by a good friend of the festival, filmmaker Beau Leland. Beau co-directed Rainbow Around the Sun with our programming director Kevin Ely. You can read more of Beau’s thoughts over at his own blog, http://invisibleartsonline.com/

When I was younger with aspirations of becoming a filmmaker, I knew it meant a lot of things. I knew it meant I needed to man up on my film history, the craft itself, the newest trends, etc. But what I never expected to have to master was this business we call “the internet.” I’m not sure any of us knew we would. But today making a great film is only half the battle. Today you must become one with “the internet” in order to create an audience for your film (this may not be the case for well-established filmmakers, but it certainly is for less-seasoned ones). Sure, marketing has always been a part of filmmaking, but in today’s indie world and today’s indie lack-of-money disorder that plagues so many of us, the use of DIY internet marketing has become a crucial survival tool. And guess what. This can be very difficult for someone who, for lack of a better term, LOATHES the brainless droning that social networking can be. Maybe loathe is a strong word, because I can’t stop checking my facebook or twitter every minute or so. But it seems that this week, I’ve had an epiphany. Social networking doesn’t have to be used for dim-witted darkness, it can be used for the powers of good. But it’s still a jungle out there, and I have a lot to learn.

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Pop Culture Junkie – Episode 2: “Worst. Indie. Film. Ever”

I belong to what I like to call a “Lazy Book Club.” It started as an actual, legitimate, mostly lady-centric Book Club where they talked about the book they’d read but mostly eat fancy foods and drink fancy wine. So the husbands started crashing the Book Club. Then nobody was actually getting around to reading the books but would show up to eat and drink (now including fancy beers) and talk about things they’d heard on NPR. It was glorious.

Then we dropped the book requirement altogether and started talking about movies instead. Most now call it “Movie Club,” but I like to hold onto the smidgeon of intellectual cachet that comes with being a member of a “Book Club.”

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alyX on the inside: This Should Probably be Classified

This is the first installment from our blogger Alyx Picard. We’re calling her series “alyX on the inside.” She’ll be giving you a volunteer’s eye view of making deadCENTER a reality. Click through the jump to read her first dispatch, straight to you from the wondrous land of bag swap.

-Ian

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Pop Culture Junkie – Episode I: “Like the Weather

Last fall as I was fulfilling my role as The Most Ironic Adjunct Professor Ever at Oklahoma Christian University,* I gave the students in my Print Media Design class a project to promote awareness of deadCENTER. The first step was to gauge their awareness of the film festival. Maybe two of the students had heard of it.

“Does it show, like, midnight zombie movies and stuff?”

“Maybe, but that’s not the focus of it or anything.”

“It sounds like a zombie movie festival.”

“It’s not.”

So I used last year’s Best Narrative Feature, Weather Girl, as an example of how “independent film” has a lot more to do with the process than the content.

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