4 Questions: DOWN IN NUMBER 5

We thought it would be a good idea to help you get to know some of our fantastic filmmakers. So, borrowing an idea from LA Weekly’s Karina Longworth (the Bernard Pivot to our James Lipton), we submitted four questions to each filmmaker about and themselves and their films.

Meet Kim Spurlock, director of Down in Number 5, a haunting short film (based on a true story) about a retired coal miner struggling to care for his 40-year old developmentally disabled son.  Down in Number 5 screens with the documentary feature Rachel Is on Thursday, June 10th at 5:30pm.

1. Tell us about your movie. Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out.

“Down in Number 5″ is a Southern Gothic fact-based fiction.  I can’t think of a pop culture reference for it!  I don’t feel entirely comfortable comparing myself to authors of such stature, but if I had to pick, I would say it is like Harper Lee meets Flannery O’Connor? Read more…

Two Movie Guys Promote deadCENTER, Insult the Great Filmmakers of Neptune.

As you should probably know by now, we have these 2 guys in Oklahoma City. They’re 2 Movie Guys, and they’re pretty damn funny. Now we’re bringing them to deadCENTER. They’ll be around the festival all week, so keep an eye out. In the meantime, watch this typically great spot they’ve put together for this year’s festival.

2MG Dead Center Promo 2010 from Ryan Bellgardt on Vimeo.

A Look Back With Dwight Edwards of The Filmcake: The 2009 Festival

The 10th edition of deadCENTER is just ONE WEEK AWAY. The drone of festival buzz is in the air. Anticipation can barely be contained. Hyperbole abounds. Since I’ll be seeing a ton of films starting in just one week, I decided to keep it short and sweet this week as I look back at last year’s festival. There were plenty of great feature films that screened last year. My two favorite features happened to be documentaries, the wonderful Sweethearts of the Prison Rodeo from Bradley Beesley and the Best Documentary Feature winner Official Rejection. Both definitely worth checking out. But, I’m sticking with short films in this final recap. The short film programs are often your best bet. You can pack in a bunch of movies in a short period of time. And if you happen to run across a not-so-good one, you only have to wait a few minutes for something else to start playing. Luckily, there are more than enough real gems to be found as well. For this week, I looked back at SAFE, Hit Boys II Men, Whore, The SPAM Job, and Miracle Investigators.
 
SAFE – A nice Okie short that came out of Living Art’s 2009 24-Hour Video Race contest. A curious kid tries to see what is locked away in his neighbor’s safe. Given the limitations of the video contest, the film is nicely done with a fair amount of restraint. Good camera work. Not too wordy. But certainly very promising. The two young filmmakers, Bunee Tomlinson and Jackson Fall are also bringing a couple of films to this year’s festival as part of the Kids’ Fest shorts program–Mom’s Favorite Vase and Without a Doubt–which will screen Friday and Saturday mornings at the downtown library.
 
This 5-minute short film is available on Vimeo.
 
Hit Boys II Men – Another Okie short from the ubiquitous Singletree Productions. Mark Potts, Cole Selix, and Brand Rackley deliver a funny dark comedy about desire, redemption, and…MURDER. On the one hand, it emits an honest vibe of three friends sitting around the house, goofing around, and just deciding to make a movie. It looks like they’re all having a blast. On the other hand, it happens to be well crafted, quite funny and eminently watchable. Stone’s (Potts) delayed reaction to drinking the raw eggs makes me laugh every time. The Singletree crew was also responsible for the very hilarious Hard Justice promo videos before each screening at the 2009 festival. This year they return with the feature Simmons on Vinyl and the short The Bedazzler.
 
This 20-minute short film is available online.
 
Whore – Screened during the Midnight Shorts program, this 22-minute short film from Prarthana Mohan follows Wendy’s awkward high school experience. Wendy (the excellent Corina Boettger) is a former home-schooled student who both fears and is fascinated by the sexuality around her. As the bullies encroach, she must come to terms with her own sexuality while figuring out who are her real friends. The director is respectful of the female lead, her religious home-school background, and her dysfunctional family. These depictions are tempered, seeming more honest than exploitative.
 
The SPAM Job – This 12-minute short film directed by Padraic Culham follows a stolen can of SPAM in a story of international mystery. This “documentary” follows the multitude of evidence that surrounds the theft of the aforementioned meat-like product. The filmmakers play it so straight that in between all of the laughs you almost begin to actually care about the eventual outcome of the investigation.
 
Miracle Investigators – My favorite short film from the 2009 festival. This 13-minute comedy short from Jeremy Dehn certainly delivers on the laughs. The movie has to contain two of the most quotable and hilarious lines of dialogue from any deadCENTER film past or present: “I’ve been pretty New Testament with you up to now, want to see me go Old?” and “I gave up ass-kicking for Lent/But it’s not Lent/I know.” The movie also very competently alludes to old cop shows and kung fu movies. I could watch this one ALL day.

 

 

Next Wednesday: The 10th Annual deadCENTER Film Festival begins!!!

13 Days to Kick-Off!

Countdown: 13 Days to the 10th Annual Fest

Today’s Featured Film:

8: The Mormon Proposition

The Pitch: 2 weeks from today you can see this powerful doc that illuminates the influences of the Utah-based Mormon church on California law in November of 2008.

Why you should see it: First of all, dCFF is one of a very few festivals that got the chance to screen ’8′ after the Sundance premiere – and we have it before the national release (which is AWESOME!). Secondly, this film doesn’t get into the muck of morality, instead it focuses on the rules that govern how we govern ourselves … and the devastating results when one group with lots of power and influence changes the rules for others. A cautionary tale and a call to action all in one.

When it’s playing: Thursday June 10th @ 8pm @ the Kerr Auditorium and Sunday, June 13th @ 3pm @ the IAO Gallery.

Watch the Trailer

More About 8: The Mormon Proposition Here

Norman filmmakers discuss nudity, groupies on The Spy

deadCENTER Film Festival veterans Mark Potts and Cole Selix, and Brand Rackley, star of the lastest comedic hit from Norman-based Singletree Productions: Simmons on Vinyl sat down in-studio with Ferris O’Brien at 105.3 FM The Spy to talk about their film, nudity, elderly groupies and deadCENTER love.

Listen to the interview here: http://db.tt/QmdY1P

Trailer: http://www.imdb.com/video/wab/vi4250141977/

Synopsis
Zeek is in love. With the help of his friends, he goes on search for a vinyl record that takes him on a wild chase all over town, running into mean high school punks, troubled bosses, kidnappings and even a very difficult dance off challenge – all in hopes that the record will nab the heart of his dream girl.

Screenings
When: Friday, June 11, 9:30 p.m.
Where: [Artspace] at Untitled, 1 N.E. 3rd St.

Website: http://singletree-productions.com/simmons/

Coffee. Mexican Food. Lots of Films. Arguments. Programming Day is Tomorrow.

Tomorrow is my favorite deadCENTER-related day outside of the festival itself: programming day. Yup, tomorrow is the day we program the entire festival, setting the schedule and venue selections for features and panels. The really fun part, though, is putting together the shorts programs. We get so many quality shorts of all different kinds and lengths that it becomes a struggle to slot them all into related sections. And it’s not just that putting this stuff together is logistically difficult – we all have our personal favorites, and since we’re all passionate about film, things can get heated. It’s like Christmas morning for people who like to argue a lot.

Personally, I’ve got a few films I’m ready to defend to the death tomorrow. One of them, a feature, I know I’m going to have a hard time convincing the others to program. But that’s the fun/point of programming day. It’s your chance to make deadCENTER your own. Winning an argument over whether or not a short makes it in to the festival means you’ve just put your own personal stamp on the festival. Cooler than that, it means that an independent film you saw at random during bag swap will now be up on a screen and thousands of people will now have the opportunity to see it. Very cool.

This will be my fourth programming day, and like the first three times, I’m going to lose some battles (ask me sometime about the fight I lost last year. I loved the film so much I stole the only screener copy we had after it was decided it wouldn’t make it), but hopefully I’ll win one or two as well. Whatever happens, though, we’ll all go get lunch at La Luna, enjoy the films we watch, and, at the end of the day, feel really excited about the great films we get to show to all you lovely people.

And that’s programming day.

-Ian

P.S. – We’ll be tweeting about all of this tomorrow. Follow us @deadcenter

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