The Referral: The Filmcake finishes a film, has regrets, starts a discussion

August 4th, 2010 | No Comments | Posted in The Referral

Our good friend Dwight over at The Filmcake published a really interesting blog post we think deserves your attention. Having just finished his first short film, he has begun to reflect on the reviews he’s written from the perspective of a new filmmaker.

Along the way, he touches on several things many of us involved with independent film at any level struggle with – how important are access and funding? To what extent, if any, should those circumstances affect or make themselves known to the viewer? And finally, how should critics approach low or no-budget films?

Read the whole thing here. And when you’re done, we’d love to hear what you think about the subject in our comments section below.

Letting people know how much you like deadCENTER – now in handy voting form!

July 14th, 2010 | No Comments | Posted in deadCENTER News

If you are one of literally several people who regularly wish there was a way to let people know you think deadCENTER is “The Best Annual Event” in Oklahoma City, you’re in luck. Head over to the Oklahoma Gazette’s website to fill out their Best of OKC ballot, or if you prefer putting pen to paper, you can pick up one of their free papers just about anywhere around the metro.

Important note: you must vote in at least half the categories (there are 109) for your ballot to count, so don’t just skip down to #65 to vote for us!

THIS IS A (bittersweet) ANNOUNCEMENT

June 22nd, 2010 | No Comments | Posted in This is an announcement, deadCENTER News
On July 15th, Cacky Poarch will be stepping down as Executive Director of the deadCENTER Film Festival.  Cacky actually made this decision before the festival, but was asked to keep the announcement confidential until yesterday.

Cacky Poarch with Mat Hoffman & Spike Jonze

Here’s a statement from Cacky herself…

I’ve been doing this gig for the past 8 years, both as a volunteer and employee, and it’s been a great ride.

For our 10th anniversary, the Festival hosted a Decade of deadCENTER Retrospective at the IAO Gallery (thank you Jennifer, Alyx and Brian!) and it was a sincere gift to be able to reminisce about how much our festival has grown over the last decade. Since moving the festival downtown with the ‘Fab Five’, the festival has experienced continual growth that has been amazing.  The festival experienced a 2000% revenue growth, which seems outlandish, but it’s true.  Even Lloyd Kaufman, the owner of the oldest independent film studio, Troma Studios, has said that we are the best run film festival he has ever attended. We are all extremely proud of that.

For our 10th year, we can honestly say we rocked the face off OKC. We had record attendance, multiple world premieres and attracted the likes of Spike Jonze, Elvis Mitchell and even Simply Irresistible. That’s about every shade of fabulous a festival can hope for.  We’ve also developed a solid strategic plan, and with a sound Board of Directors, the next Executive Director will have all the tools necessary to successfully take deadCENTER into the next decade.

A heartfelt thank you goes out to all our sponsors and volunteers that have helped make deadCENTER the largest and most prestigious film festival in Oklahoma. We couldn’t do it without community support and for that I am sincerely grateful.  I’ve always said that people think our festival is run by magical fairies because it operates so smoothly.  It’s truly because of the Kimmisioners’ hard work and all the volunteers that rally to make it a success.

Thank you. You’re all awesome. I love you.

-Cacky

AWARDS!

June 14th, 2010 | No Comments | Posted in News, This is an announcement, deadCENTER News

Awards for the 2010 deadCENTER Film Festival were presented Saturday night.  Here are the winners:

Best Student Film: In This Place


Best Animation:  O Pintor de Ceos (Painter of the Skies)


Best Narrative Short:  Junko’s Shamisen


Best Documentary Short:  A Song for Ourselves


Best Narrative Feature:  earthwork


Best Doc Feature: A Good Day to Die


Best Okie Short:  The Rounder Comes to Town


Best Okie Feature: The Rock and Roll Dreams of Duncan Christopher


Grand Jury Narrative Feature:  Simmons on Vinyl


Grand Jury Doc Feature:  Our House

Two great panel discussions today

June 12th, 2010 | No Comments | Posted in deadCENTER News

Make sure you’re at the Oklahoma City Museum of Art at 12:30 and 2 pm today for the last two panel discussions of the festival.

At 1230, Julie Porter of the OK Film and Music Office will be talking with some of Oklahoma’s most talented independent filmmakers for the “How I Learned to Stop Worrying and Make My Movie” panel. We’ll be hearing about how these filmmakers got that first film done; it’s a must-see for any aspiring filmmakers out there.

At 2 pm, the museum will screen “For the Love of Movies: The Story of American Film Criticism,” and a panel discussion moderated by OKMOA film curator Brian Hearn will follow immediately afterwards. The panel will feature Elvis Mitchel, Pete VonderHaar and the director of the film, Gerald Peary. We expect a big turnout for this screening, so make sure you secure a seat early.

4 Questions: THE ROUNDER COMES TO TOWN

June 8th, 2010 | No Comments | Posted in Film News, interviews

We thought it would be a good idea to help you get to know some of our fantastic filmmakers. So, borrowing an idea from LA Weekly’s Karina Longworth (the Bernard Pivot to our James Lipton), we submitted four questions to each filmmaker about and themselves and their films.

One of our up-and-coming Oklahoma filmmakers this year is Adam Beatty, whose debut short The Rounder Comes to Town screens in the Okie Shorts 2 program Saturday, June 12th at 5:30pm.

1. Tell us about your movie. Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out.

It’s like Django meets The Hustler.  I don’t feel like that’s accurate, but it’s all I can think of.
The Rounder Comes to Town is an Okie Gothic film based on a traditional song dating back to 1720. Read More »

4 Questions: EN TUS MANOS

June 7th, 2010 | No Comments | Posted in Film News, interviews

We thought it would be a good idea to help you get to know some of our fantastic filmmakers. So, borrowing an idea from LA Weekly’s Karina Longworth (the Bernard Pivot to our James Lipton), we submitted four questions to each filmmaker about and themselves and their films.

En Tus Manos is a unique hybrid of indie film: Produced by Oklahomans, filmed in Bogota, Columbia, featuring Actors from Columbia and Mexico, and exploring themes that are universal. It screens as part of the Worldview Shorts Program Thursday, June 10th at 7:30pm.

Here’s Producer Brent Green and Director Ron Jacobs:

1. Tell us about your movie. Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out.

En Tus Manos is a short narrative film that depicts a Latin American young man who wants to escape his bad home life. In order to do so, he joins a gang. However, what he finds is that it takes courage to do what’s right regardless of the consequences when you are choosing between life or death and love or hatred. Read More »

Two Movie Guys Promote deadCENTER, Insult the Great Filmmakers of Neptune.

June 3rd, 2010 | No Comments | Posted in deadCENTER News

As you should probably know by now, we have these 2 guys in Oklahoma City. They’re 2 Movie Guys, and they’re pretty damn funny. Now we’re bringing them to deadCENTER. They’ll be around the festival all week, so keep an eye out. In the meantime, watch this typically great spot they’ve put together for this year’s festival.

2MG Dead Center Promo 2010 from Ryan Bellgardt on Vimeo.

A Look Back With Dwight Edwards of The Filmcake: The 2009 Festival

June 2nd, 2010 | No Comments | Posted in The Guest Spot
The 10th edition of deadCENTER is just ONE WEEK AWAY. The drone of festival buzz is in the air. Anticipation can barely be contained. Hyperbole abounds. Since I’ll be seeing a ton of films starting in just one week, I decided to keep it short and sweet this week as I look back at last year’s festival. There were plenty of great feature films that screened last year. My two favorite features happened to be documentaries, the wonderful Sweethearts of the Prison Rodeo from Bradley Beesley and the Best Documentary Feature winner Official Rejection. Both definitely worth checking out. But, I’m sticking with short films in this final recap. The short film programs are often your best bet. You can pack in a bunch of movies in a short period of time. And if you happen to run across a not-so-good one, you only have to wait a few minutes for something else to start playing. Luckily, there are more than enough real gems to be found as well. For this week, I looked back at SAFE, Hit Boys II Men, Whore, The SPAM Job, and Miracle Investigators.
 
SAFE – A nice Okie short that came out of Living Art’s 2009 24-Hour Video Race contest. A curious kid tries to see what is locked away in his neighbor’s safe. Given the limitations of the video contest, the film is nicely done with a fair amount of restraint. Good camera work. Not too wordy. But certainly very promising. The two young filmmakers, Bunee Tomlinson and Jackson Fall are also bringing a couple of films to this year’s festival as part of the Kids’ Fest shorts program–Mom’s Favorite Vase and Without a Doubt–which will screen Friday and Saturday mornings at the downtown library.
 
This 5-minute short film is available on Vimeo.
 
Hit Boys II Men – Another Okie short from the ubiquitous Singletree Productions. Mark Potts, Cole Selix, and Brand Rackley deliver a funny dark comedy about desire, redemption, and…MURDER. On the one hand, it emits an honest vibe of three friends sitting around the house, goofing around, and just deciding to make a movie. It looks like they’re all having a blast. On the other hand, it happens to be well crafted, quite funny and eminently watchable. Stone’s (Potts) delayed reaction to drinking the raw eggs makes me laugh every time. The Singletree crew was also responsible for the very hilarious Hard Justice promo videos before each screening at the 2009 festival. This year they return with the feature Simmons on Vinyl and the short The Bedazzler.
 
This 20-minute short film is available online.
 
Whore – Screened during the Midnight Shorts program, this 22-minute short film from Prarthana Mohan follows Wendy’s awkward high school experience. Wendy (the excellent Corina Boettger) is a former home-schooled student who both fears and is fascinated by the sexuality around her. As the bullies encroach, she must come to terms with her own sexuality while figuring out who are her real friends. The director is respectful of the female lead, her religious home-school background, and her dysfunctional family. These depictions are tempered, seeming more honest than exploitative.
 
The SPAM Job – This 12-minute short film directed by Padraic Culham follows a stolen can of SPAM in a story of international mystery. This “documentary” follows the multitude of evidence that surrounds the theft of the aforementioned meat-like product. The filmmakers play it so straight that in between all of the laughs you almost begin to actually care about the eventual outcome of the investigation.
 
Miracle Investigators – My favorite short film from the 2009 festival. This 13-minute comedy short from Jeremy Dehn certainly delivers on the laughs. The movie has to contain two of the most quotable and hilarious lines of dialogue from any deadCENTER film past or present: “I’ve been pretty New Testament with you up to now, want to see me go Old?” and “I gave up ass-kicking for Lent/But it’s not Lent/I know.” The movie also very competently alludes to old cop shows and kung fu movies. I could watch this one ALL day.

 

 

Next Wednesday: The 10th Annual deadCENTER Film Festival begins!!!

4 Questions: THE GOOD SOLDIER

May 31st, 2010 | No Comments | Posted in Film News, interviews

We thought it would be a good idea to help you get to know some of our fantastic filmmakers.  So, borrowing an idea from LA Weekly’s Karina Longworth (the Bernard Pivot to our James Lipton), we submitted four questions to each filmmaker about and themselves and their films.  We’ll be randomly posting as many responses as we can fit in between now and the kick-off.

Let’s hear from Aaron Gibson, whose film The Good Soldier will premiere in the X-Files shorts program, Friday, June 11th at 10:00pm.


1. Tell us about your movie. Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out.

The Good Soldier is a WWII era nostalgia film with a Hitchcockian slant. Read More »

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